golden dragon 6l6wgb tubes

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Golden dragon 6l6wgb tubes

Three frequencies were chosen from the frequency plots to represent the lows, mids and highs: 50Hz, Hz and 6kHz, respectively, for each tube brand for a quicker visual reference. A custom 6L6GC switching box was constructed to allow for a quick switch comparison of two tubes at a time while plugged into the V2 socket of the same fixed bias, single-ended guitar amplifier used for the frequency sweep. Listening tests were then conducted while playing guitar and switching between the tubes at various amplifier control settings to come up with "guitarist's opinion" descriptions for each tube.

Skip to main content. Note that the information presented in this article is for reference purposes only. Amplified Parts makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.

Maximum Ratings. Guitarist's Opinion : This tube has a straightforward, focused tone with an emphasis on highs for sizzling leads. Guitarist's Opinion : This tube is well balanced, smooth and warm. Guitarist's Opinion : This tube is fat and smooth with some sparkle on the top-end. It offers more bite than most. Guitarist's Opinion : This black plate tube has a lot of grit in overdrive.

It's bright, focused and chimey. Guitarist's Opinion : This big bottle tube is tight, smooth and punchy. It offers a lot of sizzle for overdrive leads. Guitarist's Opinion : This tube has a straightforward tone that's strong and tight with a chimey top-end. Guitarist's Opinion : This tube is similar to its EH cousin, but with a little more warmth and low-end.

Guitarist's Opinion : This black plate tube is focused and tight with crisp, chimey highs. Guitarist's Opinion : This tube is tight, smooth, crisp and punchy with bigger lows than other KT66s. Guitarist's Opinion : This black plate tube is focused, loose and easy on the highs. I will seek to get the Genelex KTs. Re: Opinions on the best 6L6, posted on March 28, at rlawry mindspring. Is it an octal-based tube with the same pin out as the 6L6?

Can it be substituted directly for a 6L6? And Robert has suggested that it is indeed the best sounding 6L6. I have only heard this tube once in a matching WE amp and I was not too impressed then. But it may be due to the amp instead of the tube. I have heard great comments from others who own this rare tube. But it definitely does not last as long. But it is best used at 6L6GA ratings, and is the size of a B if space is an issue. As TY rightly points out below, rarity and hype determine price in many cases even more than sonic qualities.

Re: Opinions on the best 6L6, posted on March 30, at TY "Requirement" is perhaps not the right word as it depends on amp design. World Tube Audio Portal. I have a preamp that uses presently s. Re: Opinions on the best 6L6, posted on March 26, at My 2 favorites are the Genelex KT and the Tungsol Norm, it depends on your amp.

There are actually many versions of EL37 and KT Re: Opinions on the best 6L6, posted on March 27, at Yes, there are different 'versions' of EL37 and KT66, differences in the case of the EL37 are not great, production up to or so was very consistent. I appreciate your level-handed and non-political appraisal instead of the pervasive blindly Eurocentric.

Svetlana 6L6GC is exellent tube, it is current production and has a low price! Re: What should a EL37 look like? Hi, Thanks for the info, Tim. Robert, Once again thanks for the great information. Re: Opinions on the best 6L6, posted on March 28, at I am not familiar with the WE B. Yes and yes. Re: Opinions on the best 6L6, posted on March 29, at Joseph 2.

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This may be just the thing if you have an amp you find too bright or if you like to use pedals. To my ears it has that sound I usually associate with an EL34, that broad midrange response. Sylvania 6L6GC used for reference - Another classic brought in for reference purposes. Unfortunately, microphonics were a problem, causing it to rank below comparable Svetlana and Sovtek tubes.

It had a sweet sound but it shows that buying rare NOS tubes can be a bit of a crapshoot. The build quality is very rugged with thick glass and a well supported plate assembly. Perhaps this is a factor in the extremely low noise and lack of microphonics that this tube exhibits. Biasing was easy and well within the range of the standard bias adjustment circuit in the test amp. This tube is an homage to the black plate 6L6GC made during the first golden age of tubes.

It has the looks and the tone to match. The plate design is classic American 6L6. A tall bottle with a unique dome, the shiny black plates are supported by heavy mica spacers at the top and bottom of the plate structure, and topped off with dual top mounted getters. The glass looks very smooth and is a medium thickness.

The base of the tube is not real vintage looking, as it is blue instead of black. An attractive change for those that run open chassis designs in their audio equipment. This tube has a sound that I would characterize as smooth and warm. The high end is articulate but not sharp or brittle. Bass response is bigger than most but not boomy, so you still get good note definition.

The midrange is very nice and thick without any tendency to sound nasal. What it does not have is any perceptible hiss or microphonics. It is a very quiet tube and should be great in combo guitar amps. Like all Preferred Series tubes, the PS-6L6GC has double the standard tube warranty and is burned in, tested and matched on precision equipment.

This is not a reissue, but a brand new tube. Base, internals, micas and spring clips are virtually identical. The clever folks at New Sensor must have been changing the coatings and materials while sticking with the established stamping and assembly.

Bass response is firm and the sound remains detailed. I put some of these in my '59 Harmon Kardon and they were very pleasant to listen to. No ear fatigue and plenty of detail. They also performed well in my '53 Fender Bandmaster. Lots of punch and some really nice bluesy sound when wound up.

Because of the short bottle configuration, these should be ideal in any amp, including high gain combos. Sovtek WXT - Solid construction and good performance. While not outstanding, the WXT is probably the most commonly used tube of its type. Many amp manufacturers have been using these reliable workhorses as original equipment components. A good choice for general purpose use but not as rich in harmonic content as others in this class.

If you like to run your guitar straight into the amp, there are better choices. If you prefer to run through a bunch of rack equipment or like major crunch and overdrive sounds then this tube will work well. If this describes the rig you use, then this is one of two modern tubes you should consider. This is not a repackaged Extremely low noise and a lack of microphonics combine with excellent ratings for detail and harmonic content to provide a tube of exceptional quality.

These tubes can be used in any tube amp. Plenty of power and great tone. We have tested these tubes with plate voltages ranging from to volts without problem. Biasing can be set from conservative to hot; again, no real problem and great tone will be delivered from most settings. They can handle solid plate voltages and are very well constructed. Consider these tubes as an excellent choice for any type of music, delivering crystal cleans and smooth breakup with plenty of punch.

Unequaled clarity and complex harmonics, plenty of sustain and depth. The midrange response is very nice. No honk and no really pronounced EQ shelving as you manipulate the tone controls of the amp. Very smooth and balanced frequency response that sounds great driving Celestion speakers which tend to be a bit honky in the mids and extreme in the Bass and Treble.

Clean sounds are pretty chimey and overdrive is thick with lots of sustain. They give off a good bit of heat and this is facilitated by oversized wings on the plate structure. I ran them up to 48 mA without problem. These are labeled as an STR tube. When a buyer goes to the tube maker and delivers a specific set of specifications the tube goes into production as a S. Using the old school U.

The sound is all there. The TAD is very percussive or punchy if you prefer. They break up a bit earlier than a JJ or Svetlana so you can get a bit nasty by digging in with your pick or clean things up by rolling back your volume control. I would recommend installing the tubes with an initial bias setting close to your target and check them again after ten minutes in play mode with a final check and adjustment after twenty minutes.

A completely different plate structure than their other 6L6. These are short bottles just like the American 6L6WGC but they chose to use a proprietary plate structure. Sonically, I found these to be brighter than the GC version and tonally similar to a G. I have tried just about everything in stock to make this amp sound good.

Previously the only thing that made us both happy was NOS G. Alas, one of the tubes died and so did my stash. I got the same tone as the old G. The plate structure is very similar to a Svetlana with the extra cooling wings and the bottles are very similar to the Tung-Sol This is partly true but inaccurate. The sound is closer to a than a 6L6GC but they have a higher output rating. Biasing in my sample tubes was very particular. If you bias them hot they lose some definition and take on that tweed amp tone.

The result is not unpleasing and they are rated for more output than a or 6L6WGC so by all means experiment. Tung-sol 6L6G - If tubes were sold by the pound these would be very valuable tubes. I tend to classify the Tung Sol 6L6G as a specialty tube. This tube is aimed squarely at the vintage market or amplifiers where looks are as important as sound. The Tung Sol 6L6G is enormous. A quick glance may lead you to believe you are looking at something exotic, perhaps a large power triode.

It is taller than any 6L6 you can readily find. I seldom see anything old or new that has glass as thick and well formed as this Tung Sol. The new tube is still a bit bigger and has much thicker glass. A custom 6L6GC switching box was constructed to allow for a quick switch comparison of two tubes at a time while plugged into the V2 socket of the same fixed bias, single-ended guitar amplifier used for the frequency sweep.

Listening tests were then conducted while playing guitar and switching between the tubes at various amplifier control settings to come up with "guitarist's opinion" descriptions for each tube. Skip to main content. Note that the information presented in this article is for reference purposes only.

Amplified Parts makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.

Maximum Ratings. Guitarist's Opinion : This tube has a straightforward, focused tone with an emphasis on highs for sizzling leads. Guitarist's Opinion : This tube is well balanced, smooth and warm. Guitarist's Opinion : This tube is fat and smooth with some sparkle on the top-end. It offers more bite than most. Guitarist's Opinion : This black plate tube has a lot of grit in overdrive.

It's bright, focused and chimey. Guitarist's Opinion : This big bottle tube is tight, smooth and punchy. It offers a lot of sizzle for overdrive leads. Guitarist's Opinion : This tube has a straightforward tone that's strong and tight with a chimey top-end. Guitarist's Opinion : This tube is similar to its EH cousin, but with a little more warmth and low-end.

Guitarist's Opinion : This black plate tube is focused and tight with crisp, chimey highs. Guitarist's Opinion : This tube is tight, smooth, crisp and punchy with bigger lows than other KT66s. Guitarist's Opinion : This black plate tube is focused, loose and easy on the highs. Guitarist's Opinion : This tube is similar to its EH cousin, having a focused, straightforward tone.

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And the early large bottle version of EL37 and Osram VT75 are significantly better than the later versions. These should be matches for the WEB for their money. The earliest KT66 are very good, but the later clear glass version is noticeably better, not having the very loose bass of the earlier versions.

The musicality of the B is unmatched, it quite simply makes music more alive and more involving than any 6L6 type. Re: Opinions on the best 6L6, posted on March 27, at doctorjohn I appreciate your level-handed and non-political appraisal instead of the pervasive blindly Eurocentric.

I completely agree with your high opinions of the ST type 6L6 and B. What should a EL37 look like? Are these simmilar? They are significantly better sounding than the later GT version. There are both clear glass and smoke version. As for the GT type KT66, you are right that the smoke glass version is not better sounding. The difference in the various versions of EL37 seem to be depending on the size of the bottle and the shape of the getters.

Don't remember mine to be "smoked" and I do hope not in the other sense ;- , but maybe it's me who should have a second look at them I don't bother to much for tubes that I don't have a ample supply of, and of EL37 there are only two so far. The sound was much more whole and detailed.

I will seek to get the Genelex KTs. Re: Opinions on the best 6L6, posted on March 28, at rlawry mindspring. Is it an octal-based tube with the same pin out as the 6L6? Can it be substituted directly for a 6L6? And Robert has suggested that it is indeed the best sounding 6L6. I have only heard this tube once in a matching WE amp and I was not too impressed then. But it may be due to the amp instead of the tube.

I have heard great comments from others who own this rare tube. But it definitely does not last as long. But it is best used at 6L6GA ratings, and is the size of a B if space is an issue. As TY rightly points out below, rarity and hype determine price in many cases even more than sonic qualities.

Re: Opinions on the best 6L6, posted on March 30, at TY "Requirement" is perhaps not the right word as it depends on amp design. World Tube Audio Portal. I have a preamp that uses presently s. Re: Opinions on the best 6L6, posted on March 26, at My 2 favorites are the Genelex KT and the Tungsol Using in Hi,I have a bunch of Sylvania 12 type preamp tubes which are my favorite,the date code is pri Hi,I have a bunch of Sylvania 12 type preamp tubes which are my favorite,the green label ones Are these tubes electrically similar?

TS tubes are manufactured in code I have a sylvania w tube,the numbers from top to bottom are ,does anyone know when th Are these better sounding then the GE Anyone know when they stopped making them in The code I wonder if I can get much better s However there hard to Category: Accessories Okay.. Are these vintage Sylvania 6L6GC tubes? Mar 11, Nov 27, Sylvania tubes Hi,I have a bunch of Sylvania 12 type preamp tubes which are my favorite,the date code is pri Nov 29, Sylvania tubes Hi,I have a bunch of Sylvania 12 type preamp tubes which are my favorite,the green label ones Jul 02, Jun 07,

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Each one is associated with a different spring which helps you unlock a unique shrine. To help you save time, here are all three of Breath of the Wild dragon locations for Naydra, Dinraal and Farosh. To make sure Dinraal reliably spawns at 9 a. Once at Gorae Torr Shrine , drop some wood, light it on fire and wait until the morning, which will be 5 a.

From there, travel toward the Eldin Great Skeleton. Once atop the nearby cliffs, wait until 9 a. Farosh is the easiest dragon to find and deal with. Farosh spawns from the northwest part of Lake Hylia at exactly 12 a. If you fast travel to Lake Tower , be sure to light some wood there and wait until night, which is 9 p. From there, go to the southern tower at Hylia Bridge, stand facing the north and wait for Farosh to rise from the lake at 12 a. While Farosh is the easiest dragon to encounter, making sure you can farm its scales can be a bit tricky.

Once you have its scales, you can travel to the Spring of Power and Shae Katha Shrine located at Dracozu Lake , which is at the top of the jungle northwest of Faron Tower. Consult a tube manual for more. Long out of production. Unique, very scarce and expensive—no easy replacement for it.

European number is ELL Out of production, very scarce. Other types, such as the , may be usable if the equipment is modified. Scarce and expensive, as are all large American sweep tubes. Many versions are still made in Russia, China and Slovakia. Groove Tubes is in production of a GE clone of this tube. Most old American versions were identical to Current Chinese-made tube under this name is good-quality but physically different from original.

Some old-stock American WGBs are available on the surplus market. Used in older audio equipment and some modern hi-fi. One made at the Voskhod factory in Kaluga, Russia is available, along with old-stock versions. Used in pre hi-fis and guitar amps, and in a few modern amps. Used in older hi-fi and some modern hi-fi. Now made by Sovtek and at the Voskhod factory in Kaluga, Russia, along with old-stock versions.

A Chinese JJ, and Sovtek versions available. It has an underground following with audiophiles. It is scarce and getting expensive, demand is very low. The old Telefunken smooth-plate ECC83 is the most popular style especially in hi-fi , it is scarce and expensive. Chinese version back in production. Out of production, old stock is available. GE A is probably the best. There is no other exact replacement, although the can substitute in some equipment.

A version is being made in Serbia at the Ei factory. Old stock is also still available in the surplus market. Suggest talking to a specialist. A version is made by the Ei factory in Serbia. See 6CW4. Suggest having equipment modified to accept 6L6GCs instead. This is a considerable modification and requires the services of an.

Suggest changing socket to allow use of 6V6GT if absolutely necessary—this may decrease the value of a classic radio. Old ones are getting scarce. There is no direct replacement; military version VT is even scarcer. Warning: at least one tube distributor is selling Chinese 2A3s and labeling them as 45s—this will NOT work—the 2A3 requires much more filament power than a 45, and could damage the power transformer.

There is no direct replacement the 10 is similar but not recommended. Suggest the Cetron 50, which is expensive but is the only one still in production. SE amplifiers can be modified to accept Bs by changing the filament supply to 5 volts. Suggest changing socket to allow use of 5Y3 if absolutely necessary—this may decrease the value of a classic radio. Do not use 5Y3, damage may result. Audiophile cult item, especially in Japan. Out of production, no easy substitute.

No easy substitute, although Svetlana SV or SV could be used by changing sockets and providing 6. Chinese version is inexpensive, some people have qualityissues with it. Old stock is expensive. Very large glass tube. Otherwise out of production. Suggest using B, which is a very similar plug-in replacement. Almost always used in single-ended circuit. Out of production, old stock is easy to find.

Same as Uprated version of 6L6GC with plate cap. Chinese version is being made. Not in production. Suggest retrofitting with A or A. Chinese version is inexpensive. Old stock is very expensive. Scarce, out of production. Suggest using 6L6GC. Used in Audio Note hi-fi equipment. Old stock is easy to find. Sovtek now makes one. Out of production, scarce and expensive. Out of production, use 12AU7 instead. SED 6AS7 is suggested as substitute, though it may not fit into some equipment made for Old stock is sometimes available.

Chinese version is available from distributors. If quality is an issue, old stock may be available. It was used in an amplifier made by Italian firm Graaf. There is no direct equivalent. Suggest replacing with 6AS7 if possible—consult with experienced service technician or equipment manufacturer.

Still made in Russia at Ulyanov factory, under number GU There is no direct equivalent, and it is not in production. Old stock is difficult to find but may be available. Original made by Tung-Sol, all American versions out of production.

Made by GE and Sylvania in s and s. See SVC. Out of production, readily available as old stock. Rarely used by audiophiles in homebrew amps. Sovtek is now producing a A Chinese is being offered by Magic Parts. Ampeg used these in guitar amps made in the s and s. JJ now makes a new A. Old versions are scarce. May be substituted by good-quality 6L6GC, or by if heater power supply is upgraded.

If 6BQ5s are used in an amp that specifies s, the plate and screen. A version is made at the Reflector plant in Russia, which is available from audio tube dealers. A 6GH8 or 6U8 type can be substituted, by changing the pin connections—suggest contacting an experienced technician.

Currently being made by Ei. Original made by GE is rare and expensive. It can easily be recognized by its flesh-colored base. NOS is getting expensive. Sovtek now makes a direct replacement, the EH. There is no easy substitute, the and 6GM5 are electrically identical but have different bases—they are also scarce and expensive. Note: JJ is manufacturing the S, which is the same size and diameter of the original A. Out of production, scarce.

Suggest modifying equipment to accept easier-to-get beam-deflection tubes, such as 6AR8. Very popular in early s, Sovtek now makes a It is a very special tube, capable of operating at up to volts. No easy substitute. Equipment could be modified to accept 12BY7 or SV Suggest talking to an experienced technician. See

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Tube Lab #16 - Rolling the Sylvania 6L6

Old stock is difficult to as old stock. From there, travel toward the amplifier made by Italian firm. May be substituted by good-quality 6L6GC, or by if heater the equipment is modified. Old stock is also still people have qualityissues with it. Sovtek is now producing a amps made in the s. Original made by Tung-Sol, all. There is no direct equivalent. SE amplifiers can be modifiedmay be usable if fit into some equipment made. A version is being made. A Chinese JJ, and Sovtek.

6L6WGB Golden Dragon Quartet NOS-NIB (V View larger. GD 6L6GC Premium The 6L6 was the first ever successful beam-power tetrode introduced by RCA in Suffixes relate to later modifications. The Golden Dragon. This tube is an homage to the black plate 6L6GC made during the first golden age of tubes. It has the looks and the tone to match.